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by Christopher Philpotts
Sir Francis Drake's ship the Golden Hind was lodged in a specially constructed brick dock in Deptford on his return from his circumnavigation voyage in 1581. This was almost certainly on the Dockyard site although some writers have maintained it was in an inlet off the Creek. Benjamin Wright's map of the Thames estuary in 1606 and a contemporary Dutch map both show "Captain Dracke's ship to the north of Ditford" approximately on the Dockyard site. Philipott stated the skeleton of the ship was near the Mast Pond. Drake's ship was a tourist attraction for some decades before it fell to pieces in the 1660s. The remains of the ship, complete with its stone-shot ballast, may have been disturbed during the digging of a new dock in the Dockyard in 1667. An excavation at Deptford Wharf in 1977, designed to find the remains of the ship and its dock, found evidence of seventeenth-century shipbuilding in the form of tar and wood-shavings.
To the north of the Dockyard a naval victualling supply depot developed at the Red House in the seventeenth century This continued to expand, despite a series of disastrous fires in 1639, 1739, 1749, 1755, 1758 and 1761, and it succeeded Tower Hill as the main victualling yard of the Navy in 1785. It was enlarged in 1833 and renamed as the Royal Victualling Yard in 1858.
The East India Company was formed in 1600 and ran its first voyages to the far east from Deptford. The first Company fleet in l601 was commanded by Sir Thomas Lancaster, a Deptford dock owner. At first it borrowed facilities from the Royal Dockyard to lay its cannon and other stores on the wharf. In 1607 the Company leased the Stone Wharf at the end of Watergate Street in Deptford Strand from the Bridge House estate, and built a timber dock in Deptford the following year. The lease was extended in 1610. The Company was building ships at Deptford in 1609.
In 1614 the Company leased other Bridge House lands at Church Marsh, on the west part of the Power Station site at the north end of the study area. This followed a protracted series of negotiation with the Mayor and Common Council of London in 1613, and included the sublease of land held by the Sheffield family. There it built a dry dock and slipways for shipbuilding, and various other structures for storage and manufacture of its ships' supplies. These included an iron foundry to make anchors and chains; a spinning house to make cordage; a slaughterhouse for the killing, salting and pickling of pork and beef; storehouses for timber and canvas; and an isolated powder house to store its gunpowder on the east side. On the west side was the house of William Burrell, its shipbuilder. Several of these buildings and two docks are shown on the plan of 1623. In the decade 1610 to 1620 the Company built over 30 ships at Deptford, employing a workforce of 500 men. The dockyard here built the larger ships, while the other Company yard at Blackwall undertook repairs. However, there was little activity at Deptford after 1626 and only a few small pinnaces were built up to 1640.
The Company withdrew from its leases in Deptford in 1643, but it continued to have some of its ships built there until the early nineteenth century, contracted out to private dockyards. In 1726 it was leasing part of the Victualling Yard buildings for storage.
The East India Company yard was the origin of the dockyard which
operated on this site until the mid-nineteenth century under a
succession of shipbuilders, and underwent several phases of expansion
of its facilities. Several detailed plans and leases of this property
are to be found in the Bridge House Estate archives. The Company
leased it to John Tailor before 1636. In 1649
and 1652-3 it was held on lease by Peter Pett, together
with some areas of marshland and upland. A view of
c.1660 shows a dock and two slipways on the site. In 1692,
when it was leased to Robert Castell, it was called the
Merchants' Yard and had a dry dock and two
slipways, a crane, and various sheds and
saw-pits. Free access was to be allowed for carts along Anchor
Smith Alley from Deptford Green. The Castell family had been building
naval ships in Deptford since the 1660s. The dockyard was leased to
Edward Popley in 1713, to Titus West in
1738, Thomas West in 1759 and 1774, and
Joseph Hales in 1776. In each of these leases the Wests
agreed to undertake repairs and improvements. In 1788, when the lease
was taken by William Barnard, the dockyard consisted of a
dry dock and three slipways, yards,
crane-houses, saw pits, carpenters' shops, a
rigging house, a pitch house, warehouses and
gardens.
MILLENNIUM GRANTS Among grants given locally are: Terry Scales/Open Studios - Visions of Greenwich
Reach. Greenwich Borough Museum - History of Greenwich 2000 Tapestry Project. Age Exchange Reminiscence Centre - Ebb and Flow, multi-media performance project looking at the lives and experience of people on and around the river Thames. Greenwich Millennium Community Play - large scale play to be presented in Greenwich Park.
GREENWICH YACHT CLUB CELEBRATES MOVE DOWNRIVER A note in the Greenwich Waterfront Community Forum News outlines the new centre at Pear Tree Wharf in an interview with Joyce Loman. The Web Editor reports that all the Club's old premises on the Redpath Brown site had been bulldozed by Christmas, thus leaving only The Pilot Inn and Ceylon Cottages standing on the line of the old River Way.
BRITISH GAS WAR MEMORIAL On 11th November the War Memorial to employees at East Greenwich Gas and chemicals works who died in the First and Second World Wars was re-dedicated on a new site. The War Memorial - almost the only thing to survive from the old Gas Works - has now been put on a new 'parkland' site to the rear of the Pilot Inn. The ceremony was attended by the Mayor of Greenwich, John Fahy. Our member, Kay Murch, who is Site Manager at the Peninsula, was the moving spirit behind the presentation of the stone. She has sent some photographs of the ceremony (please contact Mary if you like to see them, 0208 858 9482). Nice to see you back at work, Kay!
REDPATH BROWN BUILDINGS ON THE DOME SITE - by Andrew Turner During November, the buildings in the Riverside Industrial Estate (River Way) were demolished in connection with the Millennium Exhibition. While most were modern, the two large warehouses (units 17-19) were constructed around the existing steel framework and roof trusses of the Redpath Brown sheds formerly occupying the site. These sheds were originally built in the 1920s or 1930s and were used for the storage of erection equipment. The framework appeared to be little changed from that recorded in the 1950's, and in particular, the beams for the travelling cranes were still very much in evidence. By early December, the only remaining former industrial building in the River Way area was the Greenwich Yacht Club, originally Redpath Brown's canteen (but see above addition).
The Jubilee Line Extension Station. A celebration of Architecture and Engineering - was the title of a seminar held by the Brutish Cement Association and the Institution of Civil Engineers on 10th November. Malcolm Tucker, one of our members, has been kind enough to send a copy of the one the papers submitted - The Contractors Tale by Rolv Kristiansen of Sir Robert MacAlpine. This paper gives a lot of interesting details about the construction of the line from North Greenwich (ring me for a copy, 0208 858 9482). Of historical interest is the discovery under the Jubilee Line station footprint of a cast iron pipe "inserted deep into the gravel bed through which toxic wastes from the former gas works were discharged". I would have been interested to have been to able to ask how they knew it was from the gas works and not from the chemical works which had once been on site.
GREENWICH SOCIETY The Greenwich Society notes the following at their AGM (among many other things): Greenwich Station - proposals to enlarge the forecourt for the Millennium bus link. Lovells Wharf -the Society approves the development but not its "height, scale and indifferent architecture". Hoskins Street - notes the refusal of the Council for a renewal of the licence for the breakers yard.. Support for the idea of the Halfpenny Hatch bridge across Deptford Creek. Support for regeneration of the East Greenwich riverfront because of "dereliction because of designation of the riverside area for wharfage use". Their suggestion to Amylum that there should be a viewing platform on one of the old riverside maize silos and they hope to take this further.
ARCHAEOLOGY The English Heritage quarterly update by the Greater London Archaeological Advisory Service shows the following results, of interest, from Greenwich work: Greenwich Magistrates Court, 9-10 Blackheath Road - post medieval pits and trenches, Deptford kilns from 17th century.
Spotted at an evening class in the City of London - a piece of cable - all done up in a proper presentation case - from the first Deptford Power Station.
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by Jack Vaughan
The physical state of the above may be observed from three vantage points external to the site:
Point One
Walk from Beresford Square down Warren Lane and turn in at the Warren Gate. Entry to the site is not possible but the general layout may be discerned albeit that it resembles a vast bomb site left over from World War II.
This is the result of:
BUILDINGS VISIBLE FROM THIS POINT
The straight road running east from this gate is Wellington Avenue.
On its right side;
On its left side;
Note:
No.2. on the right is listed Grade I
No.1. on the left is listed Grade II star
Nos.1, 3 & 4 on the right are listed Grade II
Nos. 2 & 6 on the left are listed Grade II
Nos. 3, 4 & 5 on the left are not listed but may be retained.
At Beresford Square, behind the former Main Gate (Grade II but now
divorced from the main site, 1825 & 1891).
The general site destruction is equally visible from here and need
not be elaborated on.
BUILDINGS VISIBLE FROM THIS POINT
Behind the railings there is a plate showing some of the buildings.
To the left;
Straight ahead;
To the right;
All have Grade II listing.
From Beresford Square walk east towards Plumstead, turning left at Marshgate Path which leads to the 'East Gate' end of the site.
BUILDINGS VISIBLE FROM THIS POINT
At the start of Marshgate Path;
From the East Gate;
Loss of artefacts as outlined and removal of the many guns, shells, etc. by the Tower Armouries shows a disregard for local feelings that is quite unforgiveable. Some of the remaining buildings are subject to vandalism, shattered windows, etc.
Apprecation of the importance of industrial artefacts, both on the
part of the owner, and the Borough Council is zero, and we must
continue to criticiseat every opportunity in the faint hope that
enlightenment will come.
A HISTORY OF THE NORTH WOOLWICH PLEASURE GARDENS
by Howard Bloch
Up until 1963 Woolwich extended across the river to the area now known as North Woolwich. When Greenwich Industrial History Society was set up we decided to take in this area and work to the historic boundaries of the area. Both Newham Local History Society and Howard Bloch, the author of the following article have sent us interesting material on the industries of the area - and these will follow in due course. First, the scene is set by this article which describes what was in the mid-nineteenth century our nearest local pleasure resort - but one set up by the industrialists who hoped to exploit the area in more than one way.....
Before the railway reached North Woolwich in 1847 the area was largely marshland where cattle were grazed and fattened for market, a few houses by the river front, a public house and a ferry which carried passengers across the river to Woolwich.
During the 1840s a large piece of land along the river bank including 34 acres at North Woolwich owned by the Westminster Abbey estates was purchased by the North Woolwich Land Company, a syndicate whose principal shareholders included George Bidder, Samuel Morton Peto and the Kennard family. In 1846 the Stratford and Thames Junction Railway, also promoted by Bidder, opened its line from Stratford to Canning Town. In the following year this was extended to North Woolwich where with a steam ferry boat service to Woolwich it was hoped to provide the main route to the City from south of the river.
With the opening of the South Eastern Railway from Greenwich to Woolwich on 30th July 1849 the North Woolwich line lost a major portion of its traffic. In order to compensate for this loss Bidder, who had by this time sold the North Woolwich line to the Eastern Counties Railway; proposed to the Company on 15th August that North Woolwich should be developed as a residential area and that people might be encouraged to build houses there by the offer of annual season tickets entitling them to travel between London and North Woolwich at reduced fares; 1st class £2.l0s, 2nd class £l.5s. As an additional inducement to residents and visitors the proprietor of the Pavilion Hotel proposed in October 1850 to spend £150 on laying out gardens, if the Eastern Counties Railway would agree to contribute £250. Although his request was refused, he nevertheless laid out the garden and built a new wing to the Hotel. These he was able to use to advantage during 1851 to attract visitors who had come to London to see the Great Exhibition. Among them a party of workmen and their wives from Norwich who were treated to a dinner in the Hotel on 11th July 1851 by their M.P Samuel Morton Peto.
After a successful season in 1851 the Pavilion Hotel and the gardens were opened in 1852 as the Royal Pavilion Gardens. A description written in 1853 indicates that they had many of the usual features found at the other London pleasure gardens. 'The gardens are most luxuriant abounding in flowers and plants of the choicest kind and in a high state of cultivation. The magnificent esplanade, beautiful walks, bowling green, maze, rosary and a variety of natural attractions which alone would repay a visit'.
During the summer season thousands of 'respectable' visitors travelled there by railway and steamboat to enjoy a day out and a programme of entertainment's such as those advertised on 12th September 1855. During the 1850s many of these would also have seen some of the leading music hall stars of the day perform there including Sam Cowell, E.W. Mackney and J.W. Sharpe. From 1852 the aeronaut Henry Coxwell was engaged to make balloon ascents and perform aerial feats. After he left North Woolwich in 1859 to become aeronaut at the Crystal Palace, balloon ascents became a less frequent part of the programme. Instead, freelance aeronauts were hired to make ascents at special events.
Since most of the traffic on the North Woolwich line consisted of visitors to the gardens during the summer the Eastern Counties Railway was eager to encourage their promotion. In November 1854 they agreed to an arrangement with the North Woolwich Gardens Company under which they would divide the receipts from visitors, pay one-third of their advertising costs, build a new ballroom and be represented on their board of management.
This decision was criticised a year later when a Committee of Investigation examined the Company's financial affairs. In its report it drew attention to the low profits from the North Woolwich line and the unnecessary expenditure of £1,500 on a ballroom which had been built on land not owned by the Company.
The Eastern Counties Railway's interest in the gardens waned as a
result of the large amount of new traffic which was generated by the
opening of the Victoria Dock in 1855 and the movement
to the area of a number of 'noxious' industries. These, in addition
to the 'stink' from the polluted Thames were soon to make North
Woolwich an extremely unpleasant place to visit.
Trinity House is often mentioned in books about the river and the estuary - but rarely explained. In April 1999, Peter Gurnett gave a talk to the Docklands History Group on Trinity House and we reproduce it here (with permission and our thanks to them). We would stress, however, that this is not the text of Peter's talk but the notes taken by the minutes secretary at the DHG meeting. Peter has, however, seen this script and approved publication.
Peter Gurnett's depth of knowledge and passion for his subject was amply demonstrated in his talk on Trinity House and Deptford Strond.
Peter explained that 'there are three bodies responsible for safe navigation around our islands':
In addition, separate Trinity Houses operate at Hull, Newcastle and Dover.
Around 1511, Thomas Spert, who spelt his name Spertt, founded the Corporation of Trinity House at Deptford Strond, and its existing Hall with Almshouses behind St. Nicholas' Church. Spert is generally agreed to be the true founder of the Corporation of Trinity House, as we know it today, during the early years of Henry VIII's reign when Spert was serving as the sailing master of the ill-fated Mary Rose from 1511 to late 1513. In 1514 the Great Harry, (Henri Grace a Dieu), was built at Woolwich and Spert was transferred to her as Sailing Master. Henry's largest ship, she was around 1000 tons, compared with the 600 ton Mary Rose.
The year 1514 was also generally thought to be that when Trinity House was granted its Charter of Incorporation, by Henry VIII. An earlier Charter petition found carries Henry's signature on it, and as it dates from the early part of 1513, it may be one of the earliest documents outside of Henry's personal correspondence containing his signature. In 1513, Henry had set up the famous Royal Dockyard at Deptford, near St Nicholas' Church.
Various Acts have given Trinity House powers to make laws, ordinances and statues in controlling the passage of shipping round the English coast, with legal powers to levy charges and enforce them for the services provided, and levy fines for non-payment. It also assumed responsibility for the charitable protection of its less fortunate members. The Almshouses of Deptford were built probably earlier in the 15th century to cater for the needs of old and decayed members. The motto of the Corporation is Trintas In Unitate, which roughly translates as All one under the Holy Trinity.
Around 1520, the Admiralty and Navy Board were formed and held their meetings at Deptford. This probably had some bearing on the appointment of Spert in 1524, as Clerk Controller of the King's Ships. Thus he became an administrator and his deputy Thomas Jermyn took over as Master of the Henri Grace a Dieu, presumably to leave Spert free to carry out his full time duties of Clerk which would have involved provisioning, manning and paying the crews of ships. He held this position until July 1540, when it passed to John Bartelot. The post was later renamed Secretary of the Navy. In November 1529, Thomas Spert was knighted at York Place by Henry VIII. He died in 1541 and was buried in St.Dunstan's Church at Stepney.
Trinity House Charter was renewed by Mary I in 1553, and Elizabeth I in 1558. An Act was passed in 1566, concerning the placing of sea-marks by Trinity House at dangerous parts of the coast to ensure the safety of ships and mariners. In 1573 they were granted a seal and a Coat of Arms. In 1594, Elizabeth granted Trinity House by Act, the rights on the river Thames of all lastage (duty paid for the right to dispose, stow and tally goods on ship's ballastage, beaconage and buoyage and setting up of channel navigation markers, which were also dutiable). These provided a steady and lucrative income for the next 300 years.
In 1604, James I further revised the Charter to include the rights granted by Elizabeth in 1594. The new Charter was primarily concerned with the governing of the Corporation, which now divided into 31 Elder Brothers, the group from which all executives are elected, and an unspecified number of Younger Brothers. All Elder Brothers must have been Commanders or Masters for a period of not less than four years, to ensure that experience would be added to all decisions made by the Corporation. Trinity House was given the exclusive rights to licence all pilots on the Thames. Existing and successive Acts now gave Trinity House the charge in respect of laying buoys and erecting beacons for safe navigation. Ships of the Royal Navy to be built or purchased were laid down to their design, accepted or rejected on their certificates Provisions, cordage, ordnance and ammunition for Royal and Merchant Ships all passed through their control. They were responsible for pressing crews in time of war, both Masters and Seamen, and had the right to appoint Consuls in certain foreign countries e.g. Leghorn and Genoa. They acted as hydrographers for the navy and all the limits and boundaries of seas and channels were referred to them. In the early 1600's, an additional meeting house was acquired at Ratcliffe near Limehouse. Ratcliffe and Wapping were busy maritime centres then, and provided crews for ships on many famous voyages of discovery. In 1618, the final move to the new headquarters at Ratcliffe from Deptford took place.
By the early 17th century relations between Trinity House and the Admiralty became very close. Trinity House had now effectively become the civil arm of the Navy. The first lighthouses were two in Caister, Norfolk, purpose-built in 1620 by a private owner and later passed to Trinity House. In 1638 Trinity House raised wrecks from the Thames and helped suppress pirates around the coasts. Around 1650 they leased part of a building in Stepney and about this time St. Dunstan's took over from St. Nicholas' Church at Deptford as the Trinity House Church. In 1650 Samuel Pepys was appointed Clerk of the Acts to the Navy (Board), a similar position to that held by Spert earlier. He attended St. Olave's Church, in nearby Hart Street which was later to supersede both St. Dunstan's and St. Nicholas' Churches, to become the Trinity' House Church. During the Commonwealth, Trinity House was dispossessed of all rights and their activities were carried out by an appointed committee.
In 1660, Charles II was back on the throne, and a new Charter restored the status quo, with Trinity House acquiring a new headquarters building at Water Lane, near the Tower. He appointed General George Monke and Edward Montagu as Master and Deputy Master. In 1661, Edward Montagu, the first Earl of Sandwich, and Lord High Admiral, was elected Master of Trinity House and his cousin, Pepys, along with most of his colleagues, were elected Younger Brothers. In 1666 the Great Fire of London, burnt down the Water Lane headquarters building. A large number of Trinity House records and old documents were lost. Trinity House moved its headquarters to temporary accommodation in Whitehorse Lane in Stepney, not far from St. Dunstan's Church.
In 1671, Samuel Pepys was elected an Elder Brother. Sir Richard Brown, who lived at Sayes Court, gave land for projected new almshouses in Church Street at Deptford. In 1672, Sir Richard resigned as clerk to the Privy Council's special committee, a position he had held since 1661, and was elected Master of Trinity House.
A mathematical school was founded at Christ's Hospital by Charles II, and examination of the boys was entrusted to Trinity House Brethren, to produce new navigators and ships' masters etc.. In 1673 John Evelyn was sworn in as a Younger Brother of Trinity House, and Pepys was appointed Secretary of the Navy. Pepys himself became Master of Trinity House in 1676, and immediately reorganised it into a more efficient body, and took the lead in the Commons against removal of Trinity House's right to licence Thames Watermen. Trinity House were empowered to inspect vessels and exact any fines they thought to be due.
Pepys was elected Master of Trinity House for the second time in 1685, as the King's nominee. In 1691, Captain Henry Mudd, then Deputy Master, died and was buried in St. Dunstan's Church. He left a gift of land in Mile End, as a site for more almshouses. In 1694, a Commission comprising the Master, Warden and Elder Brothers of Trinity House and including Evelyn, as treasurer, and Christopher Wren as architect, had been appointed to build and establish Greenwich Hospital. The Hospital was granted a lighthouse at the North Foreland to augment funds. Samuel Pepys died at Clapham in 1703, aged 70, and was buried in St. Olave's Church in Hart Street. In 1714, the headquarters of Trinity House in Water Lane was burnt down and a new one built. More early records and documents were lost, as was the flag taken from the Spaniards by Sir Francis Drake during the Armada. The first effective lightship was built by David Avery on the Thames at the Nore in 1732 under licence from Trinity House.
The second half of the 18th century saw Trinity House appointed to examine the competency of Ships Masters to grant and navigate ships of his Majesty's Navy. In 1774, both sets of almshouses in Deptford were in use, at the Stowage and at Church Street. The headquarters building in Water Lane had been very badly reconstructed and in 1790 required costly repairs. As it was considered to be cramped and inconvenient a move to the new site on Tower Hill was mooted. Building commenced on the new headquarters in 1793, to the design of Trinity' House Surveyor Samuel Wyatt at an estimated cost of £12,000. The building was completed in 1798, at a cost of around £26,000 after considerable amendment to the interior had been insisted upon by the Trinity House Court.
The last Court meeting was held at Water Lane in 1796. On the threat of a French invasion in 1803, Trinity House undertook the defence of the Thames. They raised and equipped a body of men sufficient to man ten frigates. In 1804, the Trinity House workshops at Blackwall had been set up to repair and maintain buoys, sea marks and light vessels etc. This became the principal repair depot until quite recently, when it was closed down and its work transferred to Harwich.
In 1837, the Duke of Wellington was elected Master at the Hall at Deptford. Prince Albert, the Prince Consort took over as Master after Wellington's death and was in fact the last Master to be elected at Deptford, in 1853. Since then, the elections have always been held at Tower Hill, and the commemoration service in the nearby church of St. Olave's, in Hart Street.
Latterly, Trinity House has effectively been split into
two bodies. The Corporation itself deals with all
charitable work, with a separate body called The Lighthouse
Service dealing with aids to navigation, and having the right to
levy charges under governmental control. Financial restraints have
lately caused considerable reductions in staffing and premises used.
Lighthouses are no longer manned as from Christmas '98. The
headquarters at Tower Hill has been completely
refurbished after war damage by incendiary bombs, as closely
as possible to the design of Samuel Wyatt in 1790. The present
Master of Trinity House is Prince Philip.
From Philip Binns
I am told that, at the 11th October meeting organised by the Greenwich Waterfront Community Forum to discuss the future of Lovell's Wharf, it was said that John Prescott had done the journey by boat from Greenwich to the Dome and was not impressed at what he saw on the Greenwich bank.
The understanding is that he is trying to get Morden College and their developers to the hotel/apartments application - pro tem - and that he has asked English Partnerships or, or whatever that regeneration agency is called these days, to come up with a development framework for the whole of the industrial area from the east Greenwich Power Station to the west side of the Peninsula.
This initiative is to be welcomed but there had to be concern that the strategy is not being extended further downstream from the Millennium Village site (for which English Partnerships are already responsible) to the Royal Arsenal at Woolwich, where again English Partnerships are the key players.
It is also essential that comprehensive grass roots consultation with existing land users, residents, and local amenity groups is built into the development framework from the very beginning. English Partnership's track record in this respect has, in the past, left much to be desired and now is the opportunity for English Partnerships and Greenwich Council to show that they value a true consultation process and do not just pay lip service to it.
From Alf Allen
I am researching my family history but I live in Southampton and don't know Greenwich very well. I have discovered that my ancestors were Lightermen on the Thames and several generations have lived at Greenwich.
The 1881 Census shows my great grandfather, William George Allen, living at 3 Crooms Hill with his family of 10 children (4 of his sons became Lightermen). My grandfather (his second son) was also the licensee of the Sun public house at Wood Wharf. I would be interested to learn the exact location of that pub and some of its history, if possible.
Another query is that many Allen families are shown on Census returns (1851 onwards) as living in Bridge Place and Bridge Street. I'm curious to know if these are two different roads, or are they one and the same?
(Address from Editor, 0208 858 9482)
From Iris Bryce
I thought you might be interested to hear that I was invited to Broadcasting House to take part in the BBC Radio Four programme Book Club. The book discussed was Longitude and the author, Dave Sobell, was very interesting. I run a readers' group in my village and took five members to the BBC. As the broadcast was not recorded until late afternoon there was time for a visit to Greenwich to see Harrison's clocks at Flamsteed House - everyone was VERY impressed and I hope their reactions will be part of the broadcast.
From Perrotta
Would u know where i can find info on the History of Turret Lathes and other info on this machine? (x13@total.net) [spelling as it arrived]
From Howard Bloch
I would be interested to hear from anyone who has information about the glass bottle manufacturer Moore and Nettlefold which had a factory in North Woolwich during the late nineteenth century and moved to Charlton in about 1908. I have come across a number of accounts in the local newspapers of fights between the German and Lithuanian employees.
(Address from Editor, 0208 858 9492)
From Doreen Abraham
We have particular interest in the rope and cable companies. My great-great-grandparents moved from Camberwell to East Greenwich around 1858-60. The family had followed work from Limehouse in the early 1800s to Chatham around 1840. Great-grandfather came back to Limehouse around 1855 and then to Camberwell and finally to Greenwich. Their address in the 1861 census is 2 Enderby Cottages. We gave searched map after map to locate the cottage but cannot find them.
(Address from Mary 0208 858 9482)
From David Cuffley
I became interested in brickmaking and thought of the Brickmakers index to help family historians. Once it grew and took over part of my life the information requested of it extended the database and now I get questions in daily -
Today's questions were about Arlesey brickworks and the GOODWINs and the other about the HUNTERs of Cumberland.
Which brings me to the point. I have done articles on the Woolwich, Plumstead and East Wickham brickfields but I was recently asked about a brickmaker in Ordnance Place, Woolwich in 1853 which I assume meant he worked at Charles Gates Brickfield or with Robert Jolly. Has anyone done any research on brickfields in the Arsenal or Woolwich Common military areas? Where there brickfields here? I know Chatham dockyard had its own brickfield on St Mary's Island so wondered if Woolwich might have the same?
From Ian Sharpe
The American Ambassador with Barratt staff unveiled the Virginia Settlers Monument at Blackwall (see the East End Advertiser) on Thursday 23rd September. We are going to have our own ceremony soon and invite the Governor of Virginia, and Dale (Newport's descendent). Someone will have to pay their Hotel bills though!
From Pat O'Driscoll
I went to the National Maritime Museum to see if I could find details of the Bulli which you mentioned in the last edition of the Newsletter (wrecked off Tasmania, but in built in Greenwich). No trace at all in Lloyds Register although she should be there.
The Mercantile Navy List for 1875 states:
Bulli. Official Number: 64409, registered at Sydney, New
South Wales, 1873, built East Greenwich 1872.
Iron constriction, dimensions, 180ft x 23.2 ft x 15.9 ft. Nett tons
334, gross tons 496.
She was screwdriven and had a 100hp engine. Owner Bulli Coal Mining
Company, Sydney, New South Wales.
By the 1877/78 Volume she had acquired the identifying code flag signal WNGR
I checked in Lloyds list under Casualties for June, July and August 1877, but found no retrace. Had she been in Lloyds Register there would have been more details of her engine and also the month in which she was launched. This would've made it easier to check the Kentish Mercury. At the end of earlier volumes of the MBN List they mentions losses of vessels in the previous year, but I could find no mention of the Bulli, probably because there was apparently some chance of salvaging her. Otherwise I would have found the date of her stranding.
From Karen Day
My family lived in East Greenwich for many years during the 1700s and 1800s - and took their living from the river.
Recently I was surprised to discover that my family were originally boat builders situated at Crowley's Wharf. Their name was ëHoskins' but unfortunately there appears to be no record of this little firm anywhere - except a brief mention in the directories of Pigot's (1827-1839) However in the baptism registers for St.Alphege I have found a Samuel Hoskins, boat builder, baptising his son Workman in 1777 and a Workman Hoskins boat builder (my 4 x great-grandfather) baptising his sons in 1799.
Greenwich Local History could only tell mention they think ëHoskins Street was named after this firm p it was originally Bennett Street and ran down to Crowley's Wharf.
My father David Alan Hoskins, was amazed at my discovery and felt very proud because he makes the most beautiful model boats. There is one of his in the window of the Greenwich Model Shop under the name of David Alan. It is for this reason ht I would like to find out more about this little firm if possible. Would you know of anyone who could help me.
From Andrew Turner
Responding to Ted Barr's letter in the October Newsletter: During the early 1980s, Trafalgar House acquired some of the constructional divisions of British Steel and integrated them into the Cleveland Bridge Group. These included the works formerly belonging to Dorman Long (Bridge and Engineering) and Redpath Brown. By then, operations at the former Redpath Brown and Dorman Long sites at East Greenwich had ceased. So the present day Cleveland Bridge Company can claim descent from the builders of the Sydney Harbour Bridge, but a connection between Cleveland Bridge and Greenwich is less obvious.
Can I also draw attention to Web site www.msp.co.uk/back.html which gives some information on McCalls and Co., (Sheffield). Does anyone know anything about McCalls Greenwich plant and when it closed ?
From Mrs. Ward
I have for many years been researching the life of my Huguenot ancestors and Anne Roper (Ardouin) 1861-1888 who died at Waverley House, Humber Road, Greenwich. Her father, Alfred Ardouin, 1822-1906 lived there with his housekeeper, Margaret Harris, and his niece, Anne Ardouin, until 1894. Alfred Ardouin was a Master Barge Builder at Anchor and Hope Wharf, Charlton. I believe the Anchor and Hope Pub is still there. Can anyone give me any more information?
From Mark Smith
Hi! I'm trying to find out when a photographer (F.Wiedhofft) was operating out of a shop in 338 New Cross Road. I have some old photos taken in the above shop which look like they were taken around about the turn of the century, If I knew when this person ran his business out of these premises I might be able to accurately date them. I am probably asking the wrong person, but do you know someone who can help or point me in the right direction.I will probably need to gain access to old business directories of the New Cross area; but where can you find them?
From Alan Merryweather
Does anyone have information of Stuart le Gassic who bought up the Merryweather Fire Engine Co. a few years ago?
The following notes are about a model - I could give anyone a few pointers if they wanted to follow this up.
From a memorial about Albert Frederick Bolton. 'When Prince Charles was born, he made a wooden model of a steam engine for a present, for he was a skilled metal and woodworker. Albert loved to demonstrate to anyone interested, his accurate, working, scale model of a Merryweather fire engine complete with extending ladders. He said he had had a lot of difficulty over the hosepipes and eventually hit on the idea of white cylindrical shoelaces.
His model won him first prize at an exhibition of Hoover employees' work - an upright washing machine - which were then just coming on to the market. That would have been c.1950?]
Note: Moses Merryweather, believed to have been the founder of the fire engine makers, was a Yorkshireman and not related to me. Pity: he became very wealthy, living in a house facing Clapham Common.
Anybody interested in the history of this Merryweather family may find the extensive records of a Mr. Smith - who unsuccessfully searched for more than 20 years for the burial place of the Merryweathers. They are in the hands of the Clapham (Common?) Society.
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Iain Lovell concludes his article on the Siemens Museum
On some matters however Dr Sutton was quite adamant. He wanted any exhibit that could be made to work to be available for visitors to operate. Thus the water meter had to be connected to a power supply so that it could be operated by a push button. The Alphabetic Telegraph presented problems, as we had only one instrument containing transmitter and receiver. The receiving dial was removed from its wooden housing, and set up at the opposite end of the display cabinet, connected by two wires emerging from the hole where it (the receiver) had been fixed. A glass pane was left out of the cabinet so that visitors could reach the transmitter handle to operate it. He reluctantly agreed that it would be impractical to have the visitor operate the Morse Inker or Soot Writer, and settled for messages on the paper tape, described above. We had attempted, at his request, to use the Sound Powered Telephone in conjunction with a modem earpiece. Much to John Arnold's relief these experiments failed, possibly because of mismatching impedances. When I told John that the Victoria Lamp was blown (though not that I had blown it) his comment was "thank God for that".
Another matter of contention was the Cable with the Ends Teased Out. John had identified as one of his themes for the exhibition the fact that early telephone distribution systems used huge arrays of wires on poles, which in modem times had been replaced with multicore cables. We had several excellent Edwardian photographs of streets festooned with wires. It only remained to acquire eighteen inches or so of modern multicore cable, and teased out the ends of the various layers to show how many there were. Terry Card knew the foreman of the shop where it was made, and offered to get an offcut. Dr Sutton felt that he should approach the manager of the Cable Division officially, as it would otherwise "upset a lot of people". He also doubted Terry's ability tease out the ends neatly, rather an uncomplimentary remark to an instrument maker. However, the request was made, and weeks went by with nothing appearing, despite constant chivvying. We would sometimes sing about The Cable with the Ends Teased Out to the tune of The Surrey with the Fringe on Top. Eventually, a few days before the visit, the exhibit appeared. It was a display stand made of pine and covered with treacle varnish, into which were mounted about a dozen or so communications and light power cables, including coaxial wiring. Far from demonstrating the compression of a festoon of wires into one neat cable, it suggested the substitution of one muddle for another. The effect was totally ruined. Terry renewed his offer to get some multicore cable, but Dr Sutton turned this down as he felt the Cable Division would be upset "after taking all that trouble".
Eventually the time came to set up the Exhibition. I was very impressed when I saw the walnut display cabinets for the first time. The legs were slightly curved and tapering along their length and also curved in section. The curves were continued into the upper part of the cabinet. Although of modern design (in 1958) they perfectly complimented the Victorian panelling of the library, each being related to the appropriate panel sizes. Inside, they were fitted with platforms of various heights, mounted inconspicuously on steel rods, all painted matt black, and tailored in size to match the exhibit to be displayed It gave the impression that the exhibits were floating within the cabinet. I was amazed that four slender rods could support quite comfortably the weight of the W40 Magneto Electric Machine. The notices were printed by a photographic process on to matt white panels, each supported by a rod of appropriate height. There were also panels with drawings reproduced from Victorian books and journals.
Setting up was not without its problems. We checked all the notices immediately and found a few with spelling mistakes, which had to be sent back and corrected. Two of the historic light bulbs, which appeared to have standard bayonet bases, were in fact a little too large to fit the modern lamp holders fitted in the display cases. A little gentle easing with pliers was necessary. Various office and shop floor workers seemed to be constantly moving in and out, sometimes meddling with the exhibits. The water meter was switched on before the circuit was sealed, splashing water everywhere.
The library was close to the offices of several senior executives, including that of Dr John Aldington, the managing director, who was out of the country until a few days before the visit. His secretary, a statuesque, impeccably coiffured blonde with icy blue eyes and clicking high heels, made no attempt to hide her distaste for our presence. Surveying the packaging, tools and other items strewn about the floor as we worked, she would say "Oh dear, this dreadful mess will have to be cleared before The Doctor returns". "The Doctor" was the expression she always used when referring to Dr Aldington. She looked particularly disapproving when she spotted the tank suit I used as a motorcycling outfit folded up with a crash helmet resting on it. Dr Sutton gave us a key, and permission to use the executive washroom nearby, which was invaluable as we needed constant to wash our hands, and required water to clean up parts of the exhibition fill the water meter, etc. Executives coming in to find us there would at first look startled, then disapprovingly raise their eyebrows.
The most serious problem, which infuriated John Arnold, was the sudden and completely unannounced installation of radiators in the library. The display cabinets no longer fitted in the room. No one seemed to know who had ordered the work, when or why appeals to get the work stopped, or at any rate deferred till after the visit, were to no avail. By moving two cabinets into the centre of the room John was able at least to keep the remaining cabinets against the wall, but the overall effect was greatly impaired. The final disaster came when workmen came to paint the radiators a muddy brown the day before the visit. They were by this time in use and hot, and gave off clouds of steaming paint. The stench was appalling. John appealed for something to absorb the smell, and in response crystalline tablets, of the type designed to disinfect lavatories, were placed in the room. This had the effect of making it smell like a lavatory. Half an hour or so before the Duke of Edinburgh's visit, John Arnold was trying to dissipate the smell by flapping sheets of newspaper: This greatly amused the people who trundled through but did not amuse John Arnold at all.
The Duke of Edinburgh's visit was by most accounts very successful. On his arrival he was treated to a lecture illustrated with a large carefully drawn map of the works, with his planned itinerary clearly marked fn blue. Predictably, he soon broke away from this as was his wont on such occasions, and entered areas which had not been prepared for him. Some operatives, suddenly recognising him, cowered behind their machines, but were quickly reassured by his outgoing and friendly manner. He was taken into the museum, but made no attempt to play with any of the toys so carefully prepared for him. If he noticed the smell, he made no comment on it . He was in the room less than two minutes, and made some such remark as "Interesting set of old stuff you've got here". He was clearly more interested in talking to people than in looking at historic artefacts. I am quite confident that I have not in any way reduced the quality of his life by depriving him of the opportunity to illuminate a glass effigy of his great great-grandmother-in-law.
The aftermath was something of an anticlimax. Brian and I helped John Arnold make temporary rearrangements of the exhibits so that he could take more flattering photographs for his portfolio. The millwrights arrived at the Research Laboratory and erected one or two steel bookcases, which we filled with some of the books. We lied about the case we had already erected, saying it had always been there.
After returning to College I never met or heard from Dr Sutton, Terry Card or Thunder & Lightning again. I had put John Arnold in touch with my father, Theodore Lovell, who was the director of publicity for Tube Investments Ltd at that time. He visited my father in his office some time later, and discussed the Siemens Museum in passing. By this time he had completely overcome his feelings of irritation, and remembered Dr Sutton for the warm and charming, if somewhat eccentric person that he was. I met Brian Rispoli a year or two later by chance in Lewisham High Street, when he was on leave from National Service (I had completed mine long before). We chatted for a few minutes but never met again.
Some years later, after I had left the company, it was progressively closed down I do not know what happened to the Museum or the books in the store room. I do know that Thunder & Lightning was sometimes told to "get rid of some of those old books" and would take a few to the boiler. Those with coloured pictures would stand the best chance of survival as he liked to look at them himself.
I still do not know what a winwom is.
CONCLUSION
Although the recreation of the Siemens Museum would suggest some interest by 'Industry' in preserving its industrial past, the motive was more to impress a visiting dignitary (which it failed to do) than make a serious attempt at conservation. It was also carried out in a haphazard and disorganised way.
Iain Lovell, December 1995
POWER AND PARTNERSHIP - a history of the GREENWICH PENINSULA
This successful course, a partnership arrangement between GIHS and the Museum is now finished.
There were eight sessions:
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